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‚Why not you‘ Director Evi Romen On Finding Inspiration in Tragedy
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[accordion title=“AFC , September 2020″ open=“no“]
Ambiguity is the most important language in a village
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[accordion title=“Hochwald at the Sydney Film Festival, 3-14th of November 2021″ open=“no“]
Europe! Voices of women in film
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Tanz dich frei, Travolta Style
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[accordion title=“Kurier, September 2021″ open=“no“]
Ein Traumtänzer aus der Provinz auf Selbstsuche
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[accordion title=“Schaufenster (Die Presse), September 2021″ open=“no“]
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[accordion title=“Salzburger Nachrichten, September 2021″ open=“no“]
Wenn der Terror im Dorf ankommt
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[accordion title=“FM4, September 2021″ open=“no“]
„Truffaut wollte ich heiraten“
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[accordion title=“ZFF Daily, October 2020″ open=“no“]
Evi Romen über ihren Debütfilm HOCHWALD | ZFF Daily 2020
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[accordion title=“Tageszeitung, October 2020″ open=“no“]
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[accordion title=“Austrian Films, September 2020″ open=“no“]
«Die Doppeldeutigkeit ist die wichtigste Sprache in einem Dorf.»
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[accordion title=“FF, December 2019″ open=“no“]
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[accordion title=“Die Presse, February 2019″ open=“no“]
Evi Romen: „Die Realität ist zynischer als unsere Mordserie“
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[accordion title=“The Gap, February 2019″ open=“no“]
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[accordion title=“Bruttofilmlandsprodukt, January 2019″ open=“no“]
Podcast #79 M – Eine Stadt sucht einen Mörder (Winterklassiker)
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[accordion title=“Standard, March 2017″ open=“no“]Drehbuchpreis an Evi Romen für „Hochwald“[/accordion]
[accordion title=“Im Schneideraum mit Wolfgang Murnberger, 2015″ open=“no“]
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[accordion title=“Neue Südtiroler Tageszeitung, April 2015″ open=“no“]“Ich erleichtere die Qual der Wahl“[/accordion]
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